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So far, it has published four revisions of the C++ standard and is currently working on the next. GameTrailers is your destination to see official trailers first. Powered by IGN, you can expect to see world-first exclusive gameplay and the hottest new tra. Every program ever. Believe it or not, the way you use variables can. This section is a very simple introduction to what. What this means is that if there is an integer. A sample declaration for different variable types is given. I believe the above is straight forward, and doesn't. Variable 't' is declared as boolean type. Primitive types in Java means that you don't have to create them, they're already. For. example, an int type, can be stored in a 3. Java is a very Object Oriented language, and everything in. An object is an instance of a class. Your Java programs consist of. An example of a simple class would be: public class p. Simple. Object. We later say that. This was the W3C's home page for the XHTML2 Working Group, which was chartered in March 2007 (see news) until December 2010. For new information related to HTML and. The Pure Reference (PR) is the finest speaker I have ever heard overall*. It has finally replaced my 10+ year 'reference', the Ars Acoustica System Max. Oracle acquired Sun Microsystems in 2010, and since that time Oracle's hardware and software engineers have worked side-by-side to build fully integrated systems and. Simple. Object. It is called. The set() and get(). One useful terminology. So, to. refer to function set(), you'd say ! The second approach illustrates that it all can be done in one line. Java Data Structures 2nd Edition - End of the World Production, LLC. International Journal of Engineering Research and Applications (IJERA) is an open access online peer reviewed international journal that publishes research. Historical overview of what is known about Ashoka and a translation of his edicts. Oracle Tuning The Definitive Reference Second Edition Donald K. Retail Price $69.95 USD/ The object. does not get created when you just declare it, it's only created when you do a new. First, you declare it, and then you allocate a new object to that pointer. The. only limitation seems to be that you can't do math on these pointers, other than that. C/C++ pointers. Like the ability to work with hundreds or maybe. And here's where our next section starts, the. Arrays! Arrays have a set limit on their size, they can't grow beyond that limit. Arrays. usually tend to be easier to work with and generally more efficient than other structural. You can always resort to having 1. Instead, you can use the clean notation of an array to create, and later manipulate. For example, to create an array to hold 1. The. second example shows that it can all be one in one line. And the third example shows that. Java holds the backwards compatibility with C++, where the array declaration is: int. Array. To us, these notations are. I do however prefer to use the Java one. Similarly, we can set an. For example, to set the 5. Array. The best. and most convenient way to manipulate arrays is using loops. For example, lets say we. This can be done very easily using two. Here, we have the length variable in every array, and we can check it's. So to print out any array named: my. Array, we'd do. something like: for(int i = 0; i< my. Array. length; i++). System. out. println(my. Array. They can't grow or shrink according to need. If you have an array. Similarly, if you have. As an example, take the java. Vector. class (JDK 1. The way it does it. It can be quite fast for small sizes, but. Later, we will look at other data structures where we won't be overly concerned with. Sometimes, however, we'd like to have more than just a plain vanilla. A stack is a FILO (First In, Last Out), structure. For now, we'll. just deal with the array representation of the stack. Knowing that we'll be using an. We can't insert or remove elements into or from the middle of the stack. As I've. mentioned before, everything in Java is an object, (since it's an Object Oriented. Array. Stack. Int. The. constructor named p. Array. Stack. Int() accepts an integer. That integer is to. If you later try to push() more. Nothing is complete without. Array. Stack. Int. Array. Stack. Int. Test. Writing to standard output exactly. The output gotten from this program is: starting.. A perfect example of a FILO structure. The output also. assures us that the stack is working properly. The data is int type (for simplicity). There is a. head data member, that's the actual array. Because we're using an array, with limited. It always has the position which had the. The rest of the functions. Notice that pointer is initialized to - 1, this makes the. The return type is boolean. First, it checks to see if the next insertion will not overflow the. If no danger from overflow, then it inserts. It first increments the pointer and. It. could easily be modified to actually make the array grow, but then the whole point of. First, it checks to see if stack is not empty, if it is empty, it will return 0. You may. want to do something more sensible than simply returning a 0 (an exception throw would not. I did it this way for the sake of simplicity. Then, it returns the value. This. way, it is ready for the next push or pop. Stack is very. simple and is very basic. There are tons of useful algorithms which take advantage of this. FILO structure. Now, lets look at alternative implementations.. It is too much. trouble. The trick I'll illustrate next is what makes Java my favorite Object Oriented. In C++, we also have the void*. Templates is a C++ way to make generic. This makes quite a lot of sense for a. In Java, every object is a descendent of the Object. So, we can just use the Object class in all of our structures, and. Next, we'll write an example that uses this. Array. Stack. Object. The new test module will. Integer objects (not int; not primitive. Array. Stack. Object. Array. Stack. Object. Test. Notice that here, we're not inserting elements of int type, we're. Integer type. This means, that we can insert. Object. starting.. The main idea you should. FILO data structure. After this section, non. Although that is true, the queue. It also involves pointers to specific. We'll determine when the queue is empty if start. To determine if the queue is full (since. To. insert, we'll add one to the start, and mod (the % operator). To remove, we'll add one to the end, and mod (the. Well, lets write it. Array. Queue. In it, we have four. The constructor p. Array. Queue(int maxsize) initializes the queue. The is. Empty() method is. The. insert works by adding one to start, and doing a mod with array. We later check to see if this insertion caused the queue to become full, if yes. It first checks to see if the. If it's not full. Empty(). If it is, the method. This is usually a. The method continues by removing the end object from the queue. The removal is. done in the same way insertion was done. By adding one to the end, and later. The reason. it's like this is because it's pretty easy to think of it. Upon insertion, you add one to start. I've modified that pretty cool test driver from the stack example, and got it. Array. Queue. class p. Array. Queue. Test. The output from the program. It's almost completely different. I guess that's it for this array implementation. FIFO data structure. And now, onto something more complex.. Most. people prefer to implement a list as a linked list (and I'll show how to do that later). A list has. no particular structure; it just has to allow for the insertion and removal of objects. Preferably, a list should also. Well, lets not just talk about a list, but write. Array. List. The number is. The start is the starting pointer. The insert() method works exactly the same way as an. It just increments the start pointer, does a mod. It then inserts the. The next trick is to decrement the end. First, it checks to see if there are elements to remove, if not. Object). It then decrements number. We then create a. After. that, we update the start pointer by first decrementing it, adding array. This gives the appearance of. We later return the position inside the. It checks to see if there are elements to remove by. Empty() method, if there aren't, it returns null. It. then handles the number (number of elements) business, and proceeds with. It first increments the end pointer. It accepts an integer, and we need to return the number which this. This would be no problem if we were using an array. We start this by. What we do next is add 'n' (the requesting. Free Artist Reference Books and e. Books. Oil Paintingwith Eight Plates (Four In. Color) and 1. 7 Diagrams by Stephen Bone, 1. Published Princeton, N. 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In Holland, and even Dublin, their cloths are far superior, and very pliable. ECMAScript Language Specification - ECMA- 2. Edition 5. 1. Standard ECMA- 2. Edition / June 2. ECMAScript. However, this document itself may not be modified in any way, including by removing the copyright notice or. Ecma International, except as needed for the purpose of developing any document or deliverable produced by Ecma. International (in which case the rules applied to copyrights must be followed) or as required to translate it into languages. English. The limited permissions granted above are perpetual and will not be revoked by Ecma International or its successors or. This document and the information contained herein is provided on an . This Software may be subject to third party rights (rights from parties other than Ecma. International), including patent rights, and no licenses under such third party rights are granted under this license even if. Ecma International. SEE THE ECMA CODE OF CONDUCT IN PATENT MATTERS AVAILABLE AT. FOR INFORMATION REGARDING THE LICENSING OF PATENT CLAIMS THAT ARE. REQUIRED TO IMPLEMENT ECMA INTERNATIONAL STANDARDS*. Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following. Redistributions of source code must retain the above copyright notice, this list of conditions and the following. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following. Neither the name of the authors nor Ecma International may be used to endorse or promote products derived from this. THIS SOFTWARE IS PROVIDED BY THE ECMA INTERNATIONAL . IN NO EVENT SHALL ECMA. INTERNATIONAL BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT. LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED. AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN. ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. Contents. Copyright notice. Introduction. 1 Scope. Conformance. 3 Normative references. Overview. 4. 1 Web Scripting. Language Overview. Objects. 4. 2. 2 The Strict Variant of. ECMAScript. 4. 3 Terms and definitions. Undefined type. 4. Null type. 4. 3. 1. Boolean value. 4. Boolean type. 4. 3. Boolean object. 4. String value. 4. 3. String type. 4. 3. String object. 4. Number value. 4. 3. Number type. 4. 3. Number object. 4. Infinity. 4. 3. 2. Na. N4. 3. 2. 4 function. Notational Conventions. Syntactic and Lexical Grammars. Context- Free Grammars. The Lexical and Reg. Exp. Grammars. 5. The Numeric String. Grammar. 5. 1. 4 The Syntactic Grammar. The JSON Grammar. Grammar Notation. Algorithm Conventions. Source Text. 7 Lexical Conventions. Unicode Format- Control. Characters. 7. 2 White Space. Line Terminators. Comments. 7. 5 Tokens. Identifier Names and Identifiers. Reserved Words. 7. Punctuators. 7. 8 Literals. Null Literals. 7. Boolean Literals. Numeric Literals. String Literals. 7. Regular Expression. Literals. 7. 9 Automatic Semicolon Insertion. Rules of Automatic. Semicolon Insertion. Examples of Automatic. Semicolon Insertion. Types. 8. 1 The Undefined Type. The Null Type. 8. The Boolean Type. The String Type. 8. The Number Type. 8. The Object Type. 8. Property Attributes. Object Internal Properties. Methods. 8. 7 The Reference Specification Type. Get. Value (V)8. 7. Put. Value (V, W)8. The List Specification Type. The Completion Specification. Type. 8. 1. 0 The Property Descriptor and. Property Identifier Specification Types. Is. Accessor. Descriptor (. Desc )8. 1. 0. 2 Is. Data. Descriptor ( Desc. Is. Generic. Descriptor (. Desc )8. 1. 0. 4 From. Property. Descriptor (. Desc )8. 1. 0. 5 To. Property. Descriptor (. Obj )8. 1. 1 The Lexical Environment and. Environment Record Specification Types. Algorithms for Object Internal. Methods. 8. 1. 2. The language was invented by Brendan Eich at Netscape and first appeared in that company’s Navigator 2. It has appeared in all subsequent browsers from Netscape and in all browsers from Microsoft starting with Internet. Explorer 3. 0. The development of this Standard started in November 1. The first edition of this Ecma Standard was adopted by the Ecma. General Assembly of June 1. That Ecma Standard was submitted to ISO/IEC JTC 1 for adoption under the fast- track procedure, and approved as international. ISO/IEC 1. 62. 62, in April 1. The Ecma General Assembly of June 1. ECMA- 2. 62 to keep it. ISO/IEC 1. 62. 62. Changes between the first and the second edition are editorial in nature. The third edition of the Standard introduced powerful regular expressions, better string handling, new control statements. The third edition of the ECMAScript standard was adopted. Ecma General Assembly of December 1. ISO/IEC 1. 62. 62: 2. June 2. 00. 2. Since publication of the third edition, ECMAScript has achieved massive adoption in conjunction with the World Wide Web where. Significant work was done to develop a. ECMAScript. Although that work was not completed and not published as the fourth edition of ECMAScript, it. The fifth edition of ECMAScript (published as ECMA- 2. Such features include accessor. JSON object encoding format, and a strict mode that provides enhanced error checking and program. This present edition 5. ECMAScript Standard is fully aligned with third edition of the international standard ISO/IEC. ECMAScript is a vibrant language and the evolution of the language is not complete. Significant technical enhancement will. This Ecma Standard has been adopted by the General Assembly of June 2. ECMAScript Language Specification. Scope. This Standard defines the ECMAScript scripting language. Conformance. A conforming implementation of ECMAScript must provide and support all the types, values, objects, properties, functions, and. A conforming implementation of this Standard shall interpret characters in conformance with the Unicode Standard, Version 3. ISO/IEC 1. 06. 46- 1 with either UCS- 2 or UTF- 1. If the adopted. ISO/IEC 1. BMP subset, collection 3. If the adopted encoding. UTF- 1. 6 encoding form. A conforming implementation of ECMAScript is permitted to provide additional types, values, objects, properties, and. In particular, a conforming implementation of ECMAScript is permitted to. A conforming implementation of ECMAScript is permitted to support program and regular expression syntax not described in this. In particular, a conforming implementation of ECMAScript is permitted to support program syntax that makes use of. Normative references. The following referenced documents are indispensable for the application of this document. For dated references, only the. For undated references, the latest edition of the referenced document (including any amendments). ISO/IEC 9. 89. 9: 1. Programming Languages – C, including amendment 1 and technical. ISO/IEC 1. 06. 46- 1: 1. Information Technology – Universal Multiple- Octet Coded. Character Set (UCS) plus its amendments and corrigenda. Overview. This section contains a non- normative overview of the ECMAScript language. ECMAScript is an object- oriented programming language for performing computations and manipulating computational objects. ECMAScript as defined here is not intended to be computationally self- sufficient; indeed, there are. Instead, it is expected that the. ECMAScript program will provide not only the objects and other facilities described in this. ECMAScript program. A scripting language is a programming language that is used to manipulate, customise, and automate the. In such systems, useful functionality is already available through a user interface, and the. In this way, the existing system is said. A scripting. language is intended for use by both professional and non- professional programmers. ECMAScript was originally designed to be a Web scripting language, providing a mechanism to enliven Web pages. Web- based client- server architecture. ECMAScript can provide core. Furk. net : : Furk. You can use it to stream video or listen to your music from PC, smartphone, HTPC or even a game console (XBOX, PS3).
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Free technical online and phone support for all MOTU products is available to all registered users. Please have your MOTU.com username ready when you call. KORG official site for registration and purchase of KORG Legacy Collection including M1, WAVESTATION, MS-20, Polysix, Mono/Poly, MDE-X and M1 Le. IK Multimedia designs and manufactures apps, software, hardware and accessory products for music creation and playback on computers and mobile devices. Requirements to use the ARTA software are: Operating systems: Windows XP / Vista / Windows 7 / Windows 8 / Windows 10. Processor class Pentium, clock frequency 600. Acoustica Mixcraft Pro Studio 7 . Thankfully, there are a number of very worthwhile alternatives and, for Windows users, Acoustica’s Mixcraft is one such option. SOS has reviewed Mixcraft on a number of occasions, most recently when Paul Sellars looked at version 6 in the November 2. Three years on, Acoustica are back with version 7, which comes in three flavours: the budget Home Studio 7, the standard Mixcraft 7, and the upmarket Pro Studio 7 under review here. Mixcraft is a mature piece of software and its core functionality hasn’t changed since Paul’s version 6 review. I’ll therefore focus on the new features that have been added in this release but, for those unfamiliar with the software, a brief recap (along with a dip into those past reviews) will soon get you up to speed. In many respects, Mixcraft follows convention, providing both multitrack audio recording and MIDI sequencing within a familiar track- based/timeline approach. Support for multi- channel audio hardware is included and you get a very respectable range of audio and MIDI editing options. The virtual mixing environment includes an automation system, send/return channels for global effects, submix (group) channels and multiple output channels if required. Track freezing is provided to squeeze more out of limited host computers, and you get a range of export options for creating your final mixes. The software has CD burning built in, and if you do music- to- picture work, there is also video support that includes basic video editing and rendering. There is also a range of Acid- like features for tempo- matching and pitch- shifting audio material to fit project tempos and keys. Depending upon the version you pick, you get a different selection of bundled effect and virtual–instrument plug- ins and audio loop library content, and by the time you reach the Pro Studio version, these amount to pretty impressive selections. As Paul concluded when looking at version 6, Mixcraft is, therefore, a very solid audio production environment that, while not reinventing the wheel in any significant way, has all the bases (and all the basses) covered. One of the things that gives Mixcraft this shallow learning curve is the single- screen design shown in the main screenshot. You can customise this in various ways, including by floating the mixer in a separate window. However, the default . Also new are improvements to the automation system (including multiple automation lanes), and improved time- stretching and pitch- shifting algorithms allied with new audio warping and audio quantisation features. There is also support for some of the leading control surfaces such as Mackie Control and Novation’s Launchpad, a MIDI step editor to sit alongside the existing piano- roll and score editors, and a further expansion of the bundled audio loops and samples. However, perhaps the most eye- catching additions are the new Performance Panel and a number of additional virtual instruments and effects plug- ins. The new Omni sampler features 1. MPC- style pads, and is intended to allow you to create your own drum/percussion instruments. The standard and Pro versions both get two new sampler instruments: Alpha and Omni. Both of these are designed for ease of use and to encourage you to make your own sample- based sound sets. With Alpha, you simply drag and drop an audio sample from any of a number of sources (Mixcraft’s Library or Sound tabs, for example) and set the root note of the original sample. Smaart v8 is the Industry Leading, Dual Platform (Mac & PC), FFT-Based Audio Analysis Software. At its core, Smaart is a computer based dual-channel FFT platform that. Audirvana Plus is the music player software (currently for the macOS platform) aiming at the best possible Sound Quality. Focusrite Announces First Windows Driver For Clarett Range. New driver allows Windows users to enjoy the high-performance, low-latency Clarett interfaces. It is then instantly mapped across the keyboard and ready to play. Omni is intended more for percussion duties, providing an MPC- style grid arrangement with multiple instances of 1. This is obviously intended for you to build your own sample- based drum kits (although any samples can be loaded) and, again, you can simply drag and drop samples onto individual pads ready for triggering. Neither of these is among the most sophisticated virtual samplers you will ever use, but they are great for knocking out new sounds based upon your own samples. It is, however, a bit of a shame that neither is supplied with any presets to help get you started. Alphabetical List of Software: Multimedia (Ripping/Encoding/Playback/Burning/DVD/Video/Audio) Return to Alphabetical List Index #. Signalyst consumer products page. Consumer products HQPlayer - upsampling multichannel audio player for Windows, Linux and OS X. ![]() Two new virtual instruments are included in both the standard and Pro editions. Renegade is a virtual analogue synth that provides plenty of virtual knobs to twiddle, without ever becoming too intimidating in terms of programming. There are some excellent presets supplied: I particularly liked some of the bass sounds, but Renegade would do a very solid job for bass, lead or chord sounds in most EDM styles. Journeys, meanwhile, is a collection of 2. There are no editable parameters but, even so, I could image ambient music producers or budding media composers making good use of what’s provided. The Renegade virtual- analogue synthesizer. The Pro Studio version adds a further two virtual instruments. Glass Viper is a sort of . The interface is perhaps a little busy, and the documentation a little light on programming details, but it is very capable in sonic terms. Even busier is the ME8. Yamaha CS8. 0. It might not have the cool factor of a hardware original, but I suspect it captures the essence of the sound without the price tag, temperamental performance or the requirement for an industrial- strength stand and two roadies to move it anywhere. Whether it is 1. 00 percent sonically accurate is beside the point; it sounds pretty good in its own right and if you want to produce an ’8. ME8. 0 v. 2 will give you the right vibe. Incidentally, the original v. ME8. 0 plug- in is still included. The Yamaha- inspired ME8. Given that Mixcraft 6 already had an impressive collection of virtual instruments, these new additions mean you get an even greater bang- to- buck ratio. Mixcraft 6 also included a fairly comprehensive, albeit often workmanlike, set of audio processing and effects plug- ins. These cover all the usual suspects from EQ and compression through to reverb, delay, pitch- correction and tape emulation. However, in the Pro edition of version 7, no fewer than 1. Some of these are fairly esoteric in nature, such as the TRW1 Vacuum Tube Triode Warmer or the BE1 Vacuum Tube Bass Enhancer; as the names suggest, these are both attempts to add some virtual tube- based analogue warmth to your sounds. However, others are more obviously mainstream, such as the Fusion Field convolution reverb and the Studio Devil Virtual Bass Amp. The convolution reverb complements the three existing algorithmic reverbs supplied in previous Mixcrafts: the standard edition’s rather basic Acoustica Reverb and very usable Classic Reverb, and the rather nice Pro Studio Reverb in the Pro edition. Fusion Field is supplied with a number of preset impulse responses that cover a good range of real spaces as well as providing some more leftfield treatments that sound designers might enjoy. Like many convolution reverbs, it gives you a distinct sense of a . Of course, we are so accustomed to artificial reverb that . Shred is actually pretty good and, while it can’t perhaps compete with something like NI’s Guitar Rig in terms of features, it’s a solid performer and very easy to use. The new Virtual Bass Amp is a more basic affair but actually sounds very good; applied to any sort of bass sound source, it can really get things cooking. The remainder of the new effects deliver side- chain compression, transient processing, experimental delays (the interesting POD4. Particle Delay), limiting and multi- band distortion. When you add all of these into the already extensive list of audio effects plug- ins retained from version 6, Mixcraft’s arsenal of processors and effects looks pretty impressive. Finally, there’s the new Performance Panel. This borrows ideas from a number of sources, but that doesn’t stop it being both quite clever and very creative in use, and if electronic music is your thing, it will probably be the highlight of Mixcraft 7. In essence, the Performance Panel provides a grid from which audio and MIDI loops can be triggered, and you can have one such panel in any Mixcraft project. It is toggled on using the Performance button located above the track list, and appears between the track list and the timeline pane that contains your standard audio and MIDI clips. Each horizontal row in the Panel is linked to the associated audio or instrument (MIDI) track and you can drag and drop either audio or MIDI loops from the library, the main clip timeline or just from the Windows File Explorer onto a Panel’s cell. Clips don’t have to be all the same length, but it does make sense to ensure they are generally a whole number of bars long. As can be seen in the screenshot, each grid cell contains a small Play button, and there is a further Play button at the top of each vertical column. The pads in each column make up a Set, and hitting a Set’s Play button will cause all the loops in that Set to be triggered for playback. Each row also features a Stop button on the left, so you can stop the playback of some rows within a Set if you like. The Studio Devil Virtual Bass Amp plug- in. As you might expect, the default settings ensure that when you have a Set looping, triggering a different Set will not replace the currently playing Set until the next bar division is reached. This behaviour can be customised in various ways, and there are too many options to detail here. Three other features are worth noting though. First, you can use the Performance Panel on its own as you might any . However, if you wish, you can trigger the Performance Panel Sets while the standard timeline- based arrangement is also playing. This opens up all sorts of interesting additional creative possibilities, and the behaviour can be toggled on/off via the small . In a live performance context this could be a lot of fun. Note, however, that you are not limited to an 8x. Performance Panel; you can have as many tracks and as many Sets as you like. 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They are the champions of reason, order and righteousness, holding back Daemons and the scions of the Dark Gods. They are the Imperium's mightiest weapon against the Warp, superhuman Space Marinepsykers, and its single enduring hope for salvation. Dear Mother of Perpetual Help Please ask your son Jesus to heal my nephew Darren, he is at home after being in hospital with Sepsis he is still very ill with head. Back To The Main Page Back To The Holy Bible THE BOOK OF ECCLESIASTICUS (Also known as "The Book of Sirach.) This Book is so called from a Greek word that signifies a. There is no greater threat to the galaxy than the denizens of the Warp and the Ruinous Powers that rule them. Daemons and gods, these otherworldly horrors tear at the veil between the Realm of Chaos and reality, hungry for the souls of men and the ruin of worlds. If left unchecked and unopposed, Daemons would claim the universe for their own, pulling down the pillars of creation and fashioning a never- ending nightmare where once the galaxy had been. Daemons are unlike any other foe the Imperium faces, and against their unnatural horror men can find themselves powerless. The Emperor's armies are vast and numerous, from the void- borne fleets of the Imperial Navy and the endless ranks of the Astra Militarum to the superhuman Space Marines and the unimaginably powerful Titan Legions. Mortal foes cannot stand against the Imperium when it is roused to war, but the Daemon is not mortal. In His infinite wisdom the Emperor foresaw that even should He prevail against Horus the threat of Chaos would remain. He knew that of all the Imperium's many foes, the daemonic was the greatest threat, and so He created a brotherhood of incorruptable warriors to fight Daemons. These were the Grey Knights, and they would stand as the Emperor's ultimate weapon against the Gods of Chaos. Their creation was the culmination of a plan conceived in the dying days of the Horus Heresy, hidden from even the Emperor's armies lest it be uncovered by His foes. Even now few in the Imperium of the late 4. Millennium know of their existence, and those that do possess only fragments of the truth. Legends and myths surround the Grey Knights, and those tales told about them are filled with broad misconceptions and fanciful lies. The vast hordes of Humanity know nothing of the Grey Knights, and the handful of citizens that have heard the name uttered assume them to be an arm of the much- feared Inquisition or a Chapter of the mythical, superhuman Space Marines. Some of the stories and fables taught by the Adeptus Ministorum hold the barest hints of the existence of the Grey Knights, but they are portrayed as silver- armoured angels, ghostly manifestations of the God- Emperor or shimmering reflections of the saints themselves as often as not. Those soldiers that have fought alongside the Grey Knights and retained both their lives and their minds recall them only as an unknown Space Marine Chapter, their unique weapons and psychic powers attributed to forgotten technology and tactical doctrine. Other Space Marines know better should they see a Grey Knight in battle, but are wise enough not to dwell long in thought about these mysterious warriors. The Emperor knew that the time was coming when He would have to face His traitorous son Horus and that He might well not survive. However, He foresaw that, even if Horus and his armies were defeated, the power of Chaos would remain a constant threat to Humanity. 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No other man save the Emperor Himself could have been given such a task and hope to complete it. However, Malcador returned to the Imperial Palace even as Horus' forces laid siege to Terra. Only the Sigilite's psychic mastery and knowledge of the hidden ways into the palace allowed him to slip through the Traitor's battle lines to reach the Emperor's side. Twelve men in all had been gathered, four noble lords and governors of the highest order, complemented by eight Space Marines. These eight selected Space Marines all possessed paranormal skills as psykers that had been kept dormant as required by the edicts of the Council of Nikaea - - the Council had ruled during the Great Crusade that the use of psychic powers was forbidden to Space Marines because of the dangers innate to manipulation of the Empyrean. These warriors willingly cast aside their former loyalties to their given Space Marine Legions and Primarchs, either because of the corruption of these Legions by Chaos, or because they realised that loyalty to the Emperor required them to sacrifice all ties to their former Battle- Brothers. That some of these Battle- Brothers came from Legions that had turned Traitor proved the depth of their loyalty to the Emperor, for there can be no greater challenge for a Space Marine than to defy the word of his Primarch. After meeting the candidates, the Emperor is believed to have responded, . These eight Space Marines do indeed have a vital role to play in the future of the Imperium, though veiled in secrecy will they be. They would be the staunch allies of this new organisation, fashioned in the image of the Space Marine Chapters, their Battle- Brothers augmented by the Emperor's advanced science and genetic experimentation. Blessed with both superhuman physiology and the most advanced Imperial weaponry, the Grey Knights would be the elite of the Adeptus Astartes. However, it would not be enough for them merely to be strong of body and skilled at war, though in this they surpass even other Space Marines. To fight the Daemon the Grey Knights would need to be pure of heart as well, with an unblemished soul in which the corruption of the Warp could find no purchase. Hidden under layers of rock and shrouded by powerful technologies, the structure had eluded discovery by the Traitors, their armies focused on Terra where the fate of the Imperium was unfolding. After departing the Emperor's Palace, Malcador's charges parted ways. The four human lords created the framework for the Inquisition, tasked with rooting out heresy from within the Imperium. Malcador took the eight Space Marines to the fortress where he set about laying the foundations of a new order of Space Marines. Everything had been prepared for the coming of the Sigillite and the Battle- Brothers; an army of Servitors maintained the fortress while cryo- vaults hidden at its core contained vast stocks of gene- seed. Hundreds of thousands of recruits had also been gathered from the worlds of the Imperium. These would become the raw material that Malcador would fashion into the Grey Knights Space Marine Chapter. Malcador's servants had chosen each of these recruits carefully; the recruits' minds deeply probed to see if they bore even the slightest hint of Chaotic corruption. The recruits were also chosen for their latent psychic gifts, so that once human flesh was implanted with Space Marine gene- seed organs they would grow into potent psykers, with a unique control over their abilities. To find so many suitable specimens Malcador's servants had searched the millions of planets of the Imperium, taking Aspirants from the seed worlds of the Loyalist Legions as well as from the ranks of the Imperial Army. Some were even taken from primitive worlds newly restored to the Imperium, their hardy people ignorant of the sky- war that had brought them to Titan but willing to do what the gods demanded. However, events were coming to a close on Terra, and as the Traitor armies gathered for a final blow against the Imperial Palace, Malcador was summoned back to the Emperor's side. Before he departed, the Sigillite selected Janus from among the eight to continue the work he had begun. So it was that Janus became the first Supreme Grand Master of the Grey Knights. Malcador's final act on Titan was to weave a complex psychic ward about the moon to shield it from the mayhem raging across the galaxy. Whereas before the Sigillite's artifice had merely hidden the fortress from detection, it now concealed the entire planet. Religious Experience and Journal of Mrs Jarena Lee, Giving an. Account of her Call to Preach the Gospel. JULIAN OF NORWICH, HER SHOWING OF LOVE. AND ITS CONTEXTS . Church, Aged 6. 0 years in. Philadelphia 1. 84. Revised and Corrected from the Original Manuscript. Philadelphia, Printed and Published for the Author. Entered according to the Act of Congress, in the. JARENA LEE,In the Office of the Clerk of the Eastern District. Pennsylvania'And. At the age of seven. I was parted from my parents, and went to live as a. Mr. Sharp, at the distance of about sixty. My parents being wholly. God, had not therefore instructed. Not long after the. I had done, when I replied, Yes - but this was. At this awful point, in my. Spirit of God moved in power through my. I was a wretched sinner. On this. account so great was the impression, and so strong were the. I promised in my heart that I would. But notwithstanding this. Spirit of. the Lord never entirely forsook me, but continued mercifully. The manner of this great. In the year 1. 80. I went with others to hear a missionary of the. Presbyterian order preach. It was an afternoon meeting, but. At the reading of the. Psalms, a ray of renewed conviction darted into my soul. These. were the words, composing the first verse of the Psalms for. Lord, I am vile, conceived in sin, Born unholy and. Sprung from man, whose guilty fall Corrupts the race. This description of my. But not. knowing how to run immediately to the Lord for help, I was. Satan, in the course of a few days, and tempted to. There was a brook about a. I must go and drown myself. At the time I had a book in. Sabbath morning, about ten o'clock; to this. I resorted, where on coming to the water I sat down on. It seemed as if some one was. But by some means, of which I can give no. I went from the place to the house again. It was the. unseen arm of God which saved me from self- murder. But as yet I had not found. Him of whom Moses and the prophets did write, being extremely. After my recovery, I left the lady, who. Philadelphia. From this place I soon went a few miles into the. I resided in the family of a Roman Catholic. Richard Allen, since. African Episcopal Methodists in America. During. the labors of this man that afternoon, I had come to the. I embraced the opportunity. Three. weeks from that day, my soul was gloriously converted to God. The text. was barely pronounced, which was 'I perceive thy heart is not. God,' when there appeared to my. I resented. At this. I said, Lord I forgive every. That instant, it appeared to me as if a garment. God seemed to cover me in its stead. That moment, though. I did leap to my feet and declare that. God, for Christ's sake, had pardoned the sins of my soul. That day was the first when my heart had. God. For a few. moments I had power to exhort sinners, and to tell of the. Him who had clothed me with His. During this the minister was silent, until my soul. Christ, to forgive sins on earth, was. From the day on which I. Methodist Church, until the hour of my. I was strangely buffetted by that enemy of all. I was naturally of a lively. I knew my peace was made with God, I. For four years I had. I could never be happy in this life. This. persuasion was greatly strengthened during the three weeks. Satan's power over me, in this peculiar. I had come to the conclusion that I. Here I was again tempted to. I was. walking to and for in the yard of the house, I was beset to. But no sooner was the. I ran into the house; still the tempter pursued. There was standing a vessel of water - into this I was. God had given me. Had I done this, I have been. I should have been unable to. Of me may it not be said, as. Isaiah (chap 6. 5, verses 1,2) 'I am sought of them. I am found of them that sought me not'. How appropriately. I sing - Jesus sought me when a stranger,Wandering from the fold of God; He to rescue me from danger,Intersposed his precious blood'. But notwithstanding the. I had. not view of the precipice on the edge of which I was. Then. the awful gulf of hell seemed to be open beneath me, covered. I stood. I. seemed to hear the howling of the damned, to see the smoke of. I trembled like Belshazzar. God be merciful to. That night I found a resolution to pray; which. Satan, in the form of a monstrous dog, and in a. From this state of. I was happily delivered under the preaching. Gospel as before related. This view which I was. Satan, in the form of a dog, is evidence. Bible account of a. Scripture the bottomless pit; the place where all liars, who. Sabbath. breaker, the adulterer, the fornicator, with the fearful, the. This language is too strong. But when made to apply to an. During the latter part of. I can now apply to my case, as it then. The more I strove against its power,I felt its weight and guilt the more; Till late I heard my Saviour say,Come hither soul, I am the way. This I found to be. God. During this state of mind. I had heard. Rev. Richard Allen, as before related, a view of my distressed. I could not refrain from. I. then lived, to inquire, with surprise, what ailed me; and to. I answered, that I knew not what ailed me. She replied. that I ought to pray. I arose from where I was sitting, being. I believe to this day. I should then have found salvation to my soul. This. interruption was, doubtless, the work of Satan. Although at this time, when. I knew not that Jesus Christ. Son of God, the second person in the adorable Trinity. If I would pray - I knew not how. I. could form no connexion of ideas into words; but I knew the. Lord's prayer; this I uttered with a loud voice, and with all. I was the most ignorant creature in the. I did not even know that Christ had died for the sins. Every circumstance. I now know to have been a Godly. But my case was awfully different from that of. I felt within me a living principle, an immortal. Creator, or feel the pangs of ceaseless. But the Lord led me on. Lord of. Saboath. Circumstances so transpired that I soon came to a. Son of God, of. whom I knew nothing. My strength had left me. I. had become feverish and sickly through the violence of my. I left my place of service to spend. Methodist society, and also to spend this week in going to. Through this means I had. Sabbath morning, as befre related, which was . This text, as already. God unto salvation to me, because. I believed. I was baptized according to the direction of our. Lord, who said, as he was about to ascend from the mount, to. I could. say continually with the psalmist, that 'God had separated my. I. answered yes. He then asked me if he had sanctified me. I. answered no; and that I did not know what that was. He then. undertook to instruct me further in the knowledge of the Lord. He told me the progress of. First. conviction for sin. Second, justification from sin. Third, the. entire sanctification of the soul to God. I thought this. description was beautiful, and immediately believed in it. He. then inquired if I would promise to pray for this in my. Very soon I began to call. Lord to show mw all that was in my heart, which was. Now there appeared to be a new. Lord. I began now to feel that my heart was not. By the increasing light of. Spirit, I had found there yet remained the root of pride. I now became alarmed at this discovery, and began to. I have been decieved in my experience. I was now. greatly alarmed, lest I should fall away from what I knew I. I prayed almost. incessantly, without setting faith on the power and promises. God to keep me from falling. I had not yet learned how to. Satan well knew that if. For if all I had passed through. I would naturally be led to believe. From this snare I was. I. retired to a secret place, (after having sought this blessing. I could, for nearly three months, from the time. Scott had instructed me respecting it,) for prayer. I had struggled long and. When I rose from. I yet stood. in a leaning posture - . It would seem Satan had hidden the very. I had purposely kneeled to. But when this voice whispered in my heart, saying, . That Satan was there, I knew; for no. I cried out . So. There is no. language that can describe it, except that which was heard by. St Paul, when he was caught up to third heaven, and heard. MY CALL TO PREACH THE GOSPELBetween four and five years. I stood as if some one was about to. I had no such thought in my heart. I thought there stood. I expounded to them the. So violent were my exertions and so loud. I awoke from the sound of my own. I. resided. Two days after I went to see the preacher in charge. African Society, who was the Rev. But as I drew near the street in. Philadelphia, my. I should not be able to bear it. Previous to my. acting out to go to see him, so agitated was my mind, that my. Several times. on my way there, I turned back again; but as often I felt my. I soon found that the nearer I. He. replied, by asking, in what sphere I wished to move in? I. said, among the Methodists. He then replied, that a Mrs. Cook. a Methodist lady, had also some time before requested the same. But as to women preaching, he said that. Discipline knew nothing at all about it - that it did not. This I was glad to hear, because it. I found that a love of souls had in a. This I soon perceived. O how careful ought we to. For. as unseemly as it may appear now- a- days for a woman to preach. God. Is he not a whole Saviour, instead of a. Then did not Mary, a. To this I reply, it may be. To this it may be replied. If then, to preach the gospel, by the gift of. God straitened: must. May he not, did he not, and can. Lord, and. accompany it too with power to the sinner's heart. As for me. I am fully persuaded that the Lord called me to labor. I have received, in his vineyard. If he has. not, how could he consistently hear testimony in favor of my. In my wanderings up and. I have. frequently found families who told me that they had not for. God would say to his poor female instrument, have. I firmly. believe that I have sown seed, in the name of the Lord, which. Christ shall come to make up his jewels. At a certain time, I was. I should fall from. I was frequently called to the. Being more and more afflicted. Lord; the Lord enabled me to draw nigh. |
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August 2017
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